Summary
Highlights
Don Custodio de Salazar y Sánchez de Monteredondo is a prominent figure in Manila society, known for his diligence, intelligence, and wealth. After a period in Madrid where he felt unnoticed, he returned to Manila. His perceived wisdom and authority led him to be entrusted with the decision regarding the establishment of an academy for the Spanish language.
On the night of the opera, 'Les Cloches de Corneville,' at the Teatro de Variedades, tickets were completely sold out even before the show began, much to the dismay of Padre Salvi and others. The crowd was chaotic, with arguments erupting at the ticket booth. People offered high prices for seats, and various emotions filled the air.
Camaron Cocido, a young man from a noble Spanish family living in poverty, observed the chaotic scene at the theater with his friend Kiko. He noted that the large attendance was influenced by the friars. Ironically, the friars, led by Padre Salvi, and non-clergymen, led by Don Custodio, were actually against the performance due to concerns about morality and language. Don Custodio was particularly vocal about preserving moral and religious values.
While walking, Camaron Cocido noticed several unfamiliar individuals who appeared uneasy and unaccustomed to wearing suits. Instead of taking front seats, they hid in the shadows, exchanging winks and coughs as signals. These mysterious figures were hinted to be investigators or thieves, operating under the orders of the General, with a signal of a gunshot.
Despite the underlying tensions, most of the audience seemed to enjoy the show. However, Isagani was an exception, as he was preoccupied with observing Paulita, who was seated beside his rival, Juanito.