Summary
A Quiet Night Ride
Highlights
The Nursery Struggle
John finds his wife, Mary, exhausted by their six-week-old son Dean's relentless, colic-induced crying. Despite his fears that his own hands are too rough for such a delicate infant, John steps in to take over, allowing Mary to retreat to the bedroom for a break.
Seeking a Solution
After unsuccessfully trying to comfort Dean in the nursery, John notices the calm outside and decides to take his son for a drive in his Impala. Mary is grateful for the offer and allows John to take the baby out for the next couple of hours.
The Road to Peace
John places Dean in the car seat and plays Led Zeppelin, speaking to his son about cars and life as he drives through the quiet streets. He reflects on the three essential things in a man's life: a reliable car, a loving woman, and Led Zeppelin II. As the music plays, he is delighted to discover that Dean has finally fallen asleep, prompting him to consider adding a fourth essential item to his list—his son.
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Original text
When John goes upstairs after the six o'clock news, he's not at all surprised to hear Dean's relentless wails spilling out from the open nursery door.
It's just colic, the pediatrician had said. It's common in firstborn children. He'll grow out of it in a couple months.
He knows it's wearing on Mary, the frustration, the helplessness, and he knows that as Dean's father it's his duty to help in any way he can. It's just that Dean is so tiny. At six weeks he's still on the small side of the growth chart and John is so afraid that his rough laborer's hands will hurt his precious delicate son without him meaning to.
He steps into the nursery. Mary looks up and sags a little with relief. John, please, she begs, stepping forward. Do something. Mary's shadowed eyes glisten with tears and John feels a sudden ache in his chest at the hopeless desperation written on his wife's beautiful face.
As gently as he can, he removes Dean from Mary's arms and settles him against his shoulder. Dean's crying so hard it resonates through his entire little body, John can feel it when he strokes Dean's back. Mary edges towards the door and John nods to let her know that it's alright, she's off duty now. She gives him a grateful smile and leaves.
Hey, buddy, he murmurs. What's the big problem, huh? He walks over to the window and looks up at the nearly full moon hanging low over the treetops. It's okay, Dean. Daddy's here. He paces the room a few more times, whispering soothing nonsense and rubbing Dean's back with one hand. Dean's sobs have decreased a little in volume but not intensity and John can only hope that he's starting to wear himself out.
He crosses to the window again and looks down on the silent tranquil street. The Impala's recently washed roof sparkles under the glow of the sodium lamp. Just then he gets an idea.
Mary? he calls, stepping into the hall.
She sticks her head out the bedroom door, hairbrush still clutched in one hand. What is it?
I'm going to take Dean for a ride, he tells her.
You need help with the car seat?
No, I'll be fine. He shifts Dean higher on his shoulder. I'll keep him out for an hour or two.
She nods, offering him a weary smile. Thank you.
He takes Dean down to the car and gets him settled into the car seat then turns the car on and puts a Led Zeppelin tape in the tape deck. As he pulls the car onto the road Dean's crying hitches as though he's suddenly aware that he's not where he was a minute ago and then continues on a little less forcefully than before. John points the car south, away from the busy highways, and takes Dean past the garage even though it's a little out of the way. He chatters inconsequentially, first about cars and then about baseball and summer and Mary and anything else that pops into his head.
When the tape runs out he flips it over and sticks it back in. The opening strains of Ramble On fill the air and John grins and turns it up. There are three things that are absolutely essential in a man's life. One is a good reliable car. The second is a woman like your mom, the kind of woman that you fall in love with all over again every morning when you wake up next to her. And the third is Zeppelin II.
When the song winds down and John stops singing, he's shocked at the silence that pervades the vehicle. He angles the mirror so he can see the car seat and grins when he sees that Dean has finally, blessedly, fallen asleep. He turns the music down slightly and starts humming along with Moby Dick as the car glides down the open road.
Maybe I should add a fourth thing to that list, he muses, glancing once more at his slumbering son.