Summary
A Quiet Beginning
Highlights
A Simple Union
Mary envisioned a grand, traditional wedding, but circumstances have led her to a modest civil ceremony with John. Having lost her parents and facing personal trauma, she focuses on finding comfort in small rituals and protective charms. Her commitment to John is grounded in their shared reality and the necessity of keeping her family safe while navigating an uncertain future.
Trouble Sleeping
Following their wedding gathering, John and Mary share an intimate moment in a parking lot, reflecting on the simplicity of their marriage compared to others. Despite John's lingering insecurity about the scale of their wedding and his inability to provide more, Mary reassures him of her love and contentment. Their life together feels remarkably smooth, free of the common conflicts John was warned about. However, the peace is fragile; later that night, John wakes to find Mary awake and distressed in the dark, speaking to an unseen presence and exhibiting signs of deep-seated trauma that she tries to hide behind a lie.
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Original text
Mary always kind of wanted to have a big splashy wedding. Dad walking her down the aisle, Mom crying in the front pew, full wedding Mass, the whole nine.
Instead here she is, her parents ashes on the wind, standing in line with John to show their driver's licenses to the county clerk and pay the money to get a simple marriage license. In three days they'll exchange vows before witnesses and God only knows when they'll get married in the eyes of God and man. Mary can't face going home alone and she can't face going into a church at all. Legally married is just going to have to do.
Mary wears her old charm bracelet to connect with the past, a new white dress to open the way to the future, a silver necklace borrowed from John's sister in hopes that Mary can borrow some of the marital bliss, a blue ribbon in her hair because John drives her up the wall sometimes but how can Mary not be faithful to someone for whom she dealt with a demon, and a lucky penny in one shoe and a two penny iron nail in the other.
Mary might have to walk the path she's chosen without any idea of what's on the far side of the black smoky fog but she will bury a line of salt around her property line and she will not let her muscle mass slip.
The whole point of the path she chose is to keep her family safe.
Trouble Sleeping
Don't, John, says Mary, laughing. It echoes in the empty parking lot.
He's got her pulled back against him by the shoulders, kissing down her neck and over the necklace he'd given her for Christmas. It's making walking to the car pretty difficult. John's so relieved to hear her unrestrained, sounding alright for the first time all night, that he sneaks a quick feel of her ass just to make her jump and hit him in the chest.
Not here, Mary says, shoving him off gently, hair falling out of the clip she'd put it up in before the wedding. Half my goddamn relatives are probably watching out those windows.
John stops her, pushing her up against the nearest car, a big old truck, probably one of her uncles'. Nah, he says, considering. They're all still watching your brother and Rebecca try to sneak off for their wedding night.
Since he's already got her trapped, he takes advantage, pressing her back with his body and tilting her chin up with his fingertips, leaning in for a long and proper kiss. She's almost even with him tonight, heels tall enough to bring her eye to eye. It's only been eight months since they swapped rings but already he can't imagine ever not wanting her, warm and grinning beneath him.
When she pulls back and away, resting her head back against the truck, he buries his face in her neck, smells the last remnants of her perfume and the champagne her aunt had spilled over half the partygoers, wobbly with happiness and free drinks.
He breathes there for a moment, in and out, letting her stroke the back of his neck, before she kisses his ear and shoves him off.
Let's go home, Mary says. He drops a kiss on her fingers when she links her hand in his, pulling him towards their car.
When the car's humming under them, one of Mary's tapes playing softly through the speakers, John clears his throat.
Mary, he starts then cuts himself off and rolls down the window, letting the crisp fall air blow into his face.
He can feel her eyes on him, still expectant.
Mary, you didn't… John stops himself again. No point in making her air old grievances, not when he couldn't have afforded any different.
What, she says, thumping his shoulder, unexpected enough to make him almost swerve in the road.
You didn't, you know, want a bigger wedding, all those trimmings and flowers and shit…stuff, John corrects, keeping his eyes firmly on the road. Like your friends.
There's a pause, where he can't even think of looking at her.
John, she says, voice unbearably soft. Pull over.
What, Mary, we're almost home, there's nowhere even…
Pull over right now, she says, so firmly that he complies as soon as they pass the next flat spot of grass. The Impala shakes underneath them as they go from firm pavement to pebbles and dirt.
She slides over on the seat, putting a hand on his leg, warm through his slacks. He'd been the least dressed up man there, looking shabby next to the crisp suits of the other guests. Mary, though, Mary had looked gorgeous but restrained, not over the top with jewelry and makeup, ten times as beautiful even on their budget.
She doesn't make him wait once he pulls over. John, Mary says, firm, I love you, I loved our wedding, I love our house and the fact that I come home to you every night. Don't be foolish.
He doesn't say anything back, doesn't want to speak, just slides over, presses her back against the window, opening up her lips under his own.
Mary sighs and relaxes into him.
He turns off the Impala's lights, feeling for the switch as Mary climbs onto his lap, always a good idea if he doesn't want an awkward situation with curious cops, and tangles his fingers in her hair, dragging it down and out of the way she's got it pinned up with a clip.
After they had moved into together, Mike at the garage had warned him, solemnly, of the way all new couples started to fight. John had been prepared for the occasional blowups, for a period of adjustment. It hadn't happened.
Every once in awhile, when he wakes up with her drooling on his pillow, her hand tucked against the top of his boxers, he gets hit with the same feeling, like he's got a charmed life, too good to be true.
By now she's got his shirt unbuttoned and is working on his belt. The V neck of her dress is gaping open as she leans over, leaving him with a tempting display. Instead, he wraps an arm around her waist to hold her up, gives her balance, and runs the other hand up her calf and under her dress, sliding it up until he reaches the scratchy lace of her underwear.
He hooks fingers in the sides and tugs them down, eyes closed, wrapped up in the way she's breathing ragged above him, loud enough to drown out the faint rain that's splashing down.
John flips her beneath him, slowly, lowering her to the seat, and goes down on his wife as she strokes at his shoulders. He takes his time.
John wakes up, hours later, tucked in their too hot bed under the blanket Mary's aunt had quilted as a wedding present. Even through his grogginess, he notices Mary, sitting on the side of the bed.
Go away, Mary says softly, into the dark. Her arms are curled around her belly. John peers around her, instantly alert, but can't see anyone in the dark.
John slides a hand up her back, making her jump in surprise.
Mary? he says, adrenaline running high, suddenly tense.
She leans down and kisses him in apology, long and slow, but when he leans up to grip her shoulder she's just slightly clammy, like the cold sweat of his buddies in war, when it was dark enough at night that the enemy could be two feet away and you wouldn't see him until he slit your throat.
Bad dream, she says and it's so transparent a lie he just pulls her down and rolls her under him, wrapping an arm around her stomach to keep her close.