I Shredded Guitar for 30 Days, 2 Hours a Day

Share

Summary

The creator embarked on a 30-day challenge to practice shredding guitar for at least an hour (which quickly became two hours) a day. This video details the insights gained and changes experienced during this intensive practice period.

Highlights

The Shredding Quest Begins and Initial Learnings
00:00:00

The creator discusses his 30-day shredding quest, practicing an average of two hours daily with a Strandberg guitar from Sweetwater. He notes that becoming a master shredder takes more than 30 days but highlights significant insights gained. Initial practice focused on three notes per string exercises using the A major scale, which felt more like an exercise than enjoyment at first. However, this opened up new fretboard pathways.

Techniques and Gear for Shredding
00:01:40

He found joy in practicing double hammer-ons, allowing for quick playing. The importance of a good compressor pedal was also realized, as it evens out the sound during fast passages. Another valuable technique was sliding from one position to another, connecting different shapes across the fretboard. He emphasizes seeing the fretboard in two-string courses and applying patterns like 5-7-9 across different positions.

Beyond Shredding: Practice Discipline and Physical Improvement
00:05:22

The creator views the practice as an affordable form of therapy, consistently dedicating time to it daily. He noticed a significant improvement in the reach and strength of his pointer to middle finger, specifically for stretches like 5-7-9 on one string. He also discovered the impact of guitar picks, finding that thick, 3mm picks, like those endorsed by Davidos, greatly improved his speed and consistency for shredding, despite his preference for lighter picks for acoustic playing.

The Philosophy of Continuous Learning and Appreciation for Shredding
00:07:32

The experience has instilled a new appreciation for the discipline of daily practice, not just for guitar but for any productive skill. He plans to apply this methodology to bluegrass guitar next. While not aspiring to be a 'shred lord,' he gained a new appreciation for the genre, recognizing the creativity and muscle memory involved, dispelling the notion that shredding is 'soulless.' He feels more melodically reactive on the guitar.

Addressing Audience Comments and Future Content
00:09:19

The creator then addresses audience questions and comments. He discusses his preferred Hosa cables for both mic and guitar, praising their durability. He also responds to a recurring comparison to a 'young Steve Martin,' taking it as a compliment. Regarding recording rhythm guitar, he aims to play the entire song through, but will loop sections if a specific performance is excellent or if he needs to piece together parts for optimal excitement and tightness. He teases an upcoming video about recording acoustic guitars to achieve a good sound. Finally, he humorously acknowledges a comment about his confident demeanor as 'the hot girl' and encourages viewers to check out a new song by Kate LaBaum and a related song by himself and Andrea about Pompeii.

Recently Summarized Articles

Loading...