"Los HOMBRES NO se pueden confiar" BRUJA revela cómo se pueden AMARRAR para mantenerlos ENAMORADOS

Abi Valencia, a transgender witch, describes her spiritual basis in Santeria and Palería. Her store, 'Oshun,' located near the Museum of Antioquia in Medellín, is named after the goddess Oshun, representing femininity and fertility. Abi explains that she was consecrated to Oshun through a seven-day ritual, embodying the goddess's essence to help others with love and fertility rituals, like preparing a woman's womb to conceive.

Abi discusses rituals for economic prosperity, particularly for struggling individuals, including sex workers, to 'shine' in their profession. She uses Oshun's water, combined with sunflowers, oranges, honey, and cinnamon, to attract abundance. Abi also mentions her 'godchildren' (ahijados) who seek her help to boost their businesses. She emphasizes that these rituals can also lead to a more profound transformation, as seen in her niece who is being trained to follow in her footsteps.

Abi states that people often lack love more than money. She describes various love rituals, including those for dominance, used to make someone attracted to a client. These rituals involve photos, complete names, and specially prepared candles with honey, essences, and extracts. She also mentions 'spiritual unions' (amarres) for couples facing difficulties, sometimes using animal sacrifices or appealing to 'the dead' (el muerto) for more potent results.

Abi elaborates on working with 'the dead,' referring to a spiritual entity that guides and makes rituals more effective. This involves making offerings like flowers, fruits, or alcohol, usually provided by the client. She acknowledges that these rituals force people together against their will, creating a 'bought love,' but justifies it as her livelihood and a response to people's desperate need for love.

Abi discusses the possibility of counter-rituals, where an intervening party protects the target of a spell, making her efforts ineffective. In such cases, she resorts to 'black magic' (magia negra) or more powerful appeals to 'the dead.' She reveals that her work has earned her enemies who have subjected her to witchcraft, causing illness and financial setbacks, which she overcomes through self-cleansing rituals.

Abi explains that she has been involved in spiritual work since age 15, learning from her grandmother. She identifies as a 'bruja' (witch), consecrated in Santeria and Paleria, and sees her practice as a calling. She also connects her spiritual journey to her transition as a transgender woman, viewing her tattoos as symbolic of her metamorphosis, much like a butterfly shedding its cocoon.

Abi details a love ritual involving Maria Celestina, a condemned spirit associated with anguish and longing. She recounts a case where a woman discovered her partner was using this ritual on her and begged Abi to stop. Abi blocked her, emphasizing her role as an instrument. She explains that this type of ritual creates emotional discomfort and dependence, forcing a 'bought love' that may not be genuine and can lead to constant renewal.

Abi describes powerful love charms, including 'amarres' performed in cemeteries for lifelong unions, though these are rare and complex. She admits to being drawn to the 'malice' and 'sarcasm' of her work, sometimes helping clients without payment due to emotional appeal. She acknowledges the spiritual hierarchy, placing herself at the nine-step level, recognizing the limitations placed on trans women in certain spiritual practices.

Abi recounts a curious case where a man collected his wife's personal effects, including menstrual blood and body hair, to create a doll for an 'amarre,' fearing she would use witchcraft against him. She also mentions protective rituals for individuals involved in dangerous lifestyles, safeguarding them from harm. Abi discusses perfumes and other preparations used to attract and maintain a man's affection, turning them into 'docile' partners.

Abi asserts that women are more 'tenacious' and 'cruel' in witchcraft than men, driven by a powerful desire for control, even at the expense of others, including their children. She notes that women are often more direct in their requests for malicious spells. However, she also highlights positive aspects, helping couples with blessings for prosperity and unity. She finds that women constitute the majority of her clientele and are the primary source of her income.

Abi describes 'ligas,' powerful charms, including one where a woman used her husband's semen to ensure his fidelity. She also discusses 'pájaro macua,' a bird's nest used in an oil to attract love and money. Despite her expertise, Abi admits to fearing falling in love, given the 'capricious' nature of love she witnesses daily. She concludes by stating that her work, though called 'witchcraft,' is a religion and custom, designed to bring harmony and freedom.