Summary
Highlights
The lecture introduces hegemony as a concept explaining how popular culture influences and affects change. It highlights the continuous struggle between ruling elites and underclasses as defined by Antonio Gramsci, and further elaborated by Dominic Strinati, where dominant groups maintain their power through securing the 'spontaneous consent' of subordinate groups via negotiation and consensus.
Hegemony operates through the ruling class making compromises to address the concerns of the ruled class. While not leading to substantial, revolutionary change, these compromises result in 'marginally inclusive' progress, preventing explosive conflict. This shows that the popular masses have some power in negotiating change within popular culture.
Domination and influence in culture stem from intellectual and moral leadership, including producers, distributors, and interpreters of culture such as cultural critics, religious leaders, and politicians. These figures often use and interpret popular culture to negotiate and argue societal norms.
A core tenet of hegemony is that culture is constantly negotiated. This perspective, in contrast to mass culture theory, emphasizes the power of the people. Examples include fans bringing back Sherlock Holmes after Arthur Conan Doyle killed him off, and the revival of the show 'Family Guy' due to fan demand.
Other examples of negotiated culture include the introduction of a gay character in the Archie comic series to address critiques of heterosexuality, the creation of Black Entertainment Television (BET) in response to the misrepresentation of African Americans in entertainment, and the Motion Picture Association of America's rating system as a compromise to allow a wider range of films after the restrictive Hays Code.
Recycling serves as an example where hegemonic negotiation can lead to impactful yet superficial change. While a positive step for the environment, recycling is considered a 'baby step' due to the energy consumed in the process and the underlying question of whether to consume less rather than just recycle more.
The lecture concludes by reiterating that culture is perpetually negotiated, highlighting that the masses engaging in popular culture possess power. This perspective emphasizes that change is not solely dictated by elites, but involves the active participation and influence of the general populace.